Skip to content

Dekmantel Festival

An app designed to guide festival-goers and electronic music fans through the world of Dekmantel

The Dekmantel app home screen shown on a phone

All-year long

Dekmantel is not only a festival for one week a year. It is also a music label, a dj mix series and a publisher. The app is designed to be both a really functional tool for festival goers, but also a hub which stores and invites users to explore the wider world of Dekmantel.

With festival mode on, shown on the left, the screen tells you what is playing now, on which stage, and how far into the set you are. Switch it off and the same screen slows down to full-bleed artwork and one thing to listen to.

Home screen in festival mode, a now-on list with a progress bar for each stage
Home screen with festival mode off, full-bleed artwork for Dekmantel Mix 514 by Dasha Rush and one listen button

In the field

The brand, designed by Jonathan Castro, was made for posters, and a poster has your full attention. An app gets a glance, in daylight, one-handed. These two screens are designed for that glance.

So set progress is a bar rather than a number, because how much is left is the only question anyone asks. The timetable runs as parallel columns so a clash shows before it happens. The map uses one marker shape for everything and coded it by kind: acid for stages, blue for the practical, white with a red cross for first aid. The one you need in a hurry should not look like the rest.

Timetable with a day selector and the stages as parallel columns
Festival site map, stages in acid green, entrance and merch in blue, first aid in white with a red cross

Filtering

A festival programme is a wall of names, and most of them are not for you. Filtering is how someone turns that wall into their own weekend, so it had to feel less like operating a search and more like saying what you are in the mood for.

That meant the app should always be able to answer one question at a glance: what is on, and what did I ask for. So a single colour carries those two meanings and nothing else, and the whole filter is built as one pill that opens, holds your choice, and lets you take it back. Choices stack, because people build a night out one decision at a time rather than all at once.

Program list with the filter pills closed
The day pill opened into a full acid green panel listing the festival days
Program filtered by day and by stage, both choices shown as green chips with a cross to remove them

Designed for discovery

One of the most valuable things the app does is help people discover new artists at the festival, and let them get curious quickly by putting how the music sounds first, with links straight to it.

So on the artist page and the feature below, the brand steps back and lets the writing and the photography lead. It is the same system, asking for a different kind of attention. A brand that can hold a long read as well as it holds a poster is one that can carry the rest of the year, not just the week of the festival.

Artist page for DARKSIDE, set time and stage in the display face, the biography in a plain reading face
Editorial feature on Jyoty, portrait with the lilac brand graphic, a headline and a long read

More